Artist duo, live and work in Paris.

"The meaning of value in a post-whatever era, the mass abundance of images - from amateur image production to professional images to algorithmically generated images - and the consequent shift of the artist from production to post-production - and from the creation of works to the generation of formats - are all recurring topics in the recent work of Émilie Brout and Maxime Marion. Since 2009 the French couple has been focusing on projects that, renovating the modernist language of film, make an extensive use of appropriated content from the web, which is freed from its status of meaningless, apparently valueless data floating in the information networks to be rearranged in complex, algorithmically generated, sometimes interactive narratives, or into powerful, iconic images."

Domenico Quaranta, AFK. Texts on Artists 2011 - 2016, 2016, Link Editions

Solo shows

2019    Collapsing New People, La Chaufferie, HEAR, Strasbourg, FR
2019    Great Stories Start Here, 22,48 m², Paris, FR
2018    Lightning Ride, curated by Anni Venäläinen, Pori Art Museum, Pori, FI
2018    You should only have eyes for me, curated by Garance Chabert, Villa du Parc, Annemasse, FR
2017    Deliverance, Steve Turner, Los Angeles, US
2017    Quickening, 22,48 m², Paris, FR
2017    Better Not Tell You Now, Link Cabinet, www.linkcabinet.eu
2017    Predator 900R, Espace 36, Saint-Omer, FR
2015    Les Nouveaux chercheurs d'or, 22,48 m², Paris, FR
2013    Dérives, 22,48 m², Paris, FR

Selected group shows

Superficiel, curated by Camille Frasca & Antoine Py, Galerie Mansart, Paris, FR
Artifacts of Sentience, curated by Molly Schulman and Bridget Batch, SUPERCOLLIDER, Los Angeles, US
Muses algorithmiques, curated by Pierre Soignon, Galerie du Granit, Belfort, FR
After Party, curated by Elodie Bernard, Fondation du doute, Blois, FR
Picturalité(s), curated by Aude Cartier, La maison des arts, centre d'art contemporain de Malakoff, FR
Me, Myself and I, curated by Pieter Jan Valgaeren, Biennale de l'image possible, La Menuiserie, Liège, BE
Casa Dolce Casa, curated by Rosario Caltabiano , 22,48 m², Paris, FR
Bagage Cabine, curated by Elodie Bernard, Kogo Gallery, Tartu, EE
Rencontres Internationales Paris/Berlin, Haus der Kulturen der Welt, Berlin, DE
Melting Point*, curated by Jean-Jacques Gay, Le Bel Ordinaire, Pau, FR
Persona Everyware, curated by Anne-Lou Vicente, Raphaël Brunel, Antoine Marchand, Centre d'art Le Lait, Albi, FR
Human Learning, curated by Dominique Moulon + Alain Thibault, Catherine Bédard, Centre Culturel Canadien, Paris, FR
I have done things here I couldn't do elsewhere, curated by Indira Béraud + Thomas Guillemet, 6B, Saint-Denis, FR
Autonomie Zéro, curated by Gilles Alvarez & Dominique Moulon, Cité internationale des arts, Paris, FR
Pourquoi faire / Pour quoi faire, curated by Renato Casciani & Olivier Gevart, Eté 78, Ixelles, BE
A2P, curated by Casey Reas, Addie Wagenknecht, Rick Silva, exonemo, The Wrong Biennale, WWW
Living Cube #3, curated by Elodie Bernard, Orléans, FR
Screen It, Stadstriënnale Hasselt/Genk, curated by Pieter Jan Valgaeren, C-Mine, Genk, BE
On The Edge, curated by Aurélie Faure, Litexpo, Vilnius, LT
10e édition du Prix Sciences Po pour l'art contemporain, Sciences Po, Paris, FR
Lignes de vie, curated by Frank Lamy, MAC VAL, Vitry-sur-Seine, FR
Biennale de l'image tangible, biennal, Le Red Studio, Paris, FR
Medio Acqua, curated by Renato Casciani, Base sous-marine, Bordeaux, FR
Reality Bytes, curated by Ivar Zeile, RedLine Contemporary Art Center, Denver, US
Fading Away, curated by Céline Flécheux, 22,48 m², Paris, FR
Duty Free, curated by Bob Bicknell-Knight, Chelsea College of Arts, London, UK
Re/public, curated by Roland Fischer, Stefanie Marlene Wenger & Raffael Dörig, Polit-Forum, Bern, CH
Collection for a Poor Collector, curated by Thomas Geiger, Sperling gallery, Munich, DE
Force of Nature, Steve Turner, Los Angeles, US
Ecritures numériques, curated by Jacques Urbanska & Philippe Franck, Musée L, Louvain-la-Neuve, BE
Profils, Pavillon Blanc, Colomiers, FR
Ô Boulot, curated by Anne-Sophie Bérard, MAIF Social Club, Paris, FR
Des Surfaces dénuées d'innocence, curated by Stéphanie Vidal, Maison Populaire, Montreuil, FR
The Wrong Biennale - Pavilion "Lucky Charms for Dinner", curated by Kamilia Kard, thewrong.org
Stories From Nowhere, Centre d'Art Bastille, Grenoble, FR
Demo Day, curated by Fernando Schrupp, Kunstraum LLC gallery, New York, US
Post-production manœuvre, curated by Messi Luo, Minority Space Beijing, CN
Who’s still Workin’ on this Masterpiece?, curated by Dragos Olea, Le Loft, collection Famille Servais, Bruxelles, BE
Extracting / Abstracting, Steve Turner, Los Angeles, US
Go Canny! Poétique du sabotage, curated by Nathalie Desmet, Eric Mangion & Marion Zilio, Villa Arson, Nice, FR
Stranger Collaborations, London Art Fair, curated by Pryle Behrman, Business Design Centre, London, UK
Iconomania, curated by Florence Guionneau-Joie, MAIF Social Club, Paris, FR
Home Cinema, curated by Charles Carcopino, Gare Saint-Sauveur, Lille, FR; OCAT Shenzhen, CN; Daegu Art Museum, Daegu, KR
5th Moscow Biennale for Young Art, curated by Nadim Samman, Trekhgornaya Manufaktura, Moscow, RU
L'Art est un mensonge, curated by Sonia Recasens, H2M, Bourg-en-Bresse, FR
Portrait de l'artiste en alter, FRAC Haute-Normandie, Sot­te­ville-lès-Rouen, FR
Not Really Really, curated by Frédéric de Goldschmidt & Agata Jastrzabek, Frédéric de Goldschmidt Collection, Brussels, BE
The Black Chamber, curated by Eva & Franco Mattes + Badi Brusadin, Museum of Modern and Contemporary Art, Rijeka, HR;
Škuc Gallery, Ljubljana, SI
Société de service, curated by Dominique Moulon, Plateforme, Paris, FR
Le Temps de l'audace et de l'engagement, 5th ADIAF Triennial , curated by Nathalie Ergino, Institut d'Art Contemporain de Villeurbanne, FR
Neoliberal Lulz, Carroll/Fletcher gallery, London, UK
D'autres possibles, curated by Thomas Fort, Pavillon Vendôme, Clichy, FR
The Wrong Biennale, (in)Exactitude in Science, curated by Kamilia Kard & Filippo Lorenzin, galerie Charlot, Paris, FR
Something Else - Off Biennale Cairo, curated by Elena Giulia Abbiatici, (in)Exactitude in Science, Cairo, EG
Mapamundistas: Antipostales, curated by Alexandra Baurès, Citadel of Pamplona, ES
The Human Face of Cryptoeconomies, Furtherfield Gallery, London, UK
Bonjour la France !, curated by Sunhee Choi, Seongnam Arts Center, Seongnam, KR; Goyang AramNuri Arts Center, Goyang, KR
Sèvres Outdoors, Cité de la céramique, Sèvres, FR
Home Cinema, curated by Charles Carcopino, MAC Créteil, FR; festival VIA, Manège Maubeuge-Mons, FR
Miroir, Ô mon miroir, curated by L'extension, Pavillon Carré de Baudouin, Paris, FR
Convergence, curated by Dominique Moulon, Maison Populaire de Montreuil, FR
Promenons-nous..., curated by Caroline Delieutraz & Géraldine Miquelot, Abbaye d'Annecy-le-Vieux, FR
Matière Cinéma, curated by Mathieu Vabre, Seconde Nature, Aix-en-Provence, FR
Unoriginal Genius, curated by Domenico Quaranta, Carroll/Fletcher gallery, London, UK
Variation, curated by Dominique Moulon, Espace Blancs Manteaux, Paris, FR
Web Players, online, curated by Isabelle Arvers, Podfest, Rio de Janeiro, BR
Still Water, 22,48 m², Paris, FR
Pense-bête/Reminders collection 1, curated by Sandra Aubry & Sébastien Bourg, Galerie de Roussan, Paris, FR
Werke sind Wesen, curated by Clément Stehlin, Villa Renata, Basel, CH
Premio Arte Laguna, Telecom Italia Future Centre, Venezia, IT
Jeune Création, Centquatre, Paris, FR
Play/display, 22,48 m², Paris, FR
Talents Contemporains, Fondation François Schneider, Wattwiller, FR
Terrible Twos, curated by Garance Chabert, Villa du Parc, Annemasse, FR
Uploloload - Eloge de la réalité diminuée, curated by Maxence Alcade & Caroline Delieutraz, 22,48 m², Paris, FR
Art & Paysage, curated by Jean-François Dumont, Artigues-près-Bordeaux, FR

Awards & Grants

2021    Development Programme, residency, Kunsthal Gent, BE
2019    La Fondation des Artistes, grant, Paris, FR
2019    CNC/DICRéAM, grant, Paris, FR
2019    Fonds Magnétic Bordeaux, grant, Bordeaux, FR
2019    Prix Sciences Po pour l'art contemporain, public prize, Sciences Po, Paris, FR
2017    Net Based Award, nominees, H3K/Kunst Bulletin, Haus der elektronischen Künste, Basel, CH
2017    CNC/DICRéAM, grant, Paris, FR
2015    SCAM, grant, Paris, FR
2014    DRAC Île-de-France, grant, Paris, FR
2014    Arte Laguna Prize, digital art prize, Arsenal, Venice, IT
2013    CNC/DICRéAM, grant, Paris, FR
2011    Fondation François Schneider, contemporary talent prize, Wattwiller, FR
2011    SCAM, grant, Paris, FR



2019    Art Vilnius, Litexpo, Vilnius, LT
2018    Camera Camera, solo booth with 22,48 m², Hôtel Windsor, Nice, FR
2017    Art Brussels, with Steve Turner, Tour & Taxis, Brussels, BE
2016    Untitled Miami Beach, with Steve Turner, Miami, US
2016    Art Brussels, solo booth with 22,48 m², Tour & Taxis, Brussels, BE
2015    Art Brussels, with 22,48 m², Brussels Expo (Heysel), BE
2014    LOOP Barcelona, solo booth with 22,48 m², Hotel Catalonia Ramblas, Barcelona, ES
2013    The Solo Project, with 22,48 m², Basel, CH

Selected Screenings & Talks

A Truly Shared Love, screening (avant-premiere), Kunsthal Gent, BE
Rencontres Internationales Paris/Berlin, screening, Louvre auditorium, Paris, FR
Table Ronde "Nichons-nous dans l'internet", talk, with Alexandre Léchenet, 6B, Saint-Denis, FR
Arts, Culture, and Digital Transformation Summit, talk & screening, Banff Centre for Arts and Creativity, Banff, CA
New Kids on the Blockchain, talk, Gaîté Lyrique, Paris, FR
La Vraie Vie, screening (Rien à voir), curated by Guillaume Constantin, Les Instants chavirés, Montreuil, FR
Hot Steam, curated by Keaton Fox, CCTV, Cambridge, US
Villa du Parc Hors les Murs, projection, Moulin de Cara, Ville-le-grand, FR
TALK Paris - "Bad Taste", round table animated by Camille Frasca & Antoine Py, 22visconti, Paris, FR
Supernova Outdoor Digital Animation Festival, screening, curated by Ivar Zeile, Denver, US
SCAM/Best of 2017 écritures et formes émergentes, screening, SCAM, Paris, FR
Les Visiteurs du soir, screening, Hotel Windsor, Nice, FR
Eki.Art - Dérives, screening and talk, Ekimetrics, Paris, FR
Les Incessants, screening, curated by Céline Poulin, Villa du Parc, Annemasse, FR
The Black Chamber - Conference, talk, curated by Eva and Franco Mattes, Bani Brusadin, Kino Šiška, Ljubljana, SI
Pléorama #1, screening, curated by Johan Decaix, Progress Gallery, Paris, FR
New Aesthetic - Köln Unlimited, screening, Köln, DE
Love Money, round table animated by Isabelle de Maison Rouge, galerie 22,48 m², Paris, FR
Cycle Bleu, screening, Forum des Images, Paris, FR
965 jours à 58 mètres, screening, Villa Belleville, Paris, FR
Art of the Networked Practice, symposium, School of Art, Design & Media - Nanyang Technological University, SG
Inside/Peer to Peer, screening, invitation from Vittoria Matarrese, Palais de Tokyo, Paris, FR
Les Inrocks Lab/Nuit Blanche, screening, Ensad Paris, FR
Lovely Days in Bol, screening, invitation from Contexts, Bol, Brac, HR
Arts de la perturbation, study day, Université Paris 1, centre Saint Charles, FR
ESAD Orléans, talk, Musée des Beaux-Art, Orléans, FR
SCAM - Futur en Seine, Centquatre, Paris, FR
MashUp Film Festival, talk, Forum des Images, Paris, FR
Copie Copains Club, launch of www.copie-copains-club.net, Gaîté Lyrique, Paris, FR
Algoshorts, screening, curated by Alexis Kirke, Plymouth University, UK


2014    White Screen/Jeune Création, creation of the virtual exhibition platform and curation, whitescreen.jeunecreation.org
2014    Copie Copains Club gets physical @Gamerz X, curation of the group show, Fondation Vasarely, Aix-en-Provence, FR
2013    Fresh << Refresh, curation of the graduates exhibition, Galerie NaMiMa/ENSA Nancy, Nancy, FR
2013    Copie Copains Club, creation and curation, with Caroline Delieutraz, www.copie-copains-club.net


En fuyant ils cherchent une arme, Stéphanie Vidal, Nouvelles éditions Scala, Paris, 2019
Radial #1, interview with Maxence Alcade, Radian (ESAM, ESADHaR, ENSA Normandie, Ecole doctorale 558), 2019
isthisit? issue 4, isthisit?, London, 2018
The Collection for the Poor Collector, Thomas Geiger, Edition Taube, Munich, 2018
Streaming Egos - Digital identities, «Strategy 2: Fake Documents», by Marie Lechner - Goethe-Institut Paris, 2016
L’écran comme mobile, Jean-Louis Boissier - Mamco-Genève, 2016
AFK, Texts on Artists 2011-2016, Domenico Quaranta - LINK Editions, 2016
De Leur temps, 5ème triennale de l’ADIAF, Collection privées françaises, exhibition catalogue - IAC Villeurbanne, 2016
The Black Chamber, exhibition catalogue - LINK Editions, 2016
6PM Your Local Time - LINK Editions, 2015
Bonjour la France !, exhibition catalogue - Goyang Cultural Foundation, 2015
Art et numérique en résonance, Dominique Moulon - Editions Scala, 2015
Talents Contemporains 2011 - 2012 - Fondation François Schneider, 2015
Library of the Printed Web #3, curated and published by Paul Soulhellis, 2015
Alum - Art Book Magazine, 2014
Image & immersion, proceedings of the Obs/in #2 colloquium - Obs/In, 2013
Dérives, text by Douglas Edric Stanley - Editions du 22,48 m², 2013

Selected Press